Sunday 28 October 2018

009 Industrial Diesel


     
©  2018   David Hurst     All  Rights Reserved
This is a small industrial loco based on the one used at the Guinness Brewery in Dublin. It is now an exhibit at the Ulster Folk and Transport Museum which is situated in Cultra near Belfast. 

My idea was to find a small to medium size industrial loco with an interesting look about it, I wanted a compact design where the cab was low enough to be used for both industrial and mining purposes. The one used at the Guinness Brewery in Dublin fitted this model very well, being designed to be used within the tight clearances around the Brewery complex in Dublin. 

The other good point about this engine was that it was no plain Jane; it had a good level of detail both under the footplate and around the bodywork. This is very good for adapting the design to suit a particular chassis. With the small size and narrow wheel base of this engine I have looked at using the Tomy-tec H1 chassis. It has turned out slightly larger than I planned, more on the medium size, but looks as if it is man enough to do most types of industrial haulage jobs. 


©  2018   David Hurst     All  Rights Reserved
The model is printed in separate parts: the footplate, (which could be the basis of a different model) the body, the roof and the radiator. There are also smaller details printed within the body and footplate, including  an exhaust system crash bars, work lamp, brake handle, and cab seat. Some generic couplings are also included, but other types can be used also.

The Tomy Tec HM-01 chassis I have used needed to have its footplate reduced in width so I dismantled the chassis and cut the footplate down. This is much easier to do and a neater job is achieved. It all just clips back together again.


©  2018   David Hurst     All  Rights Reserved
Because of the engines size and the level of detail it is only suitable to print in the Fine Detailed Plastic.

©  2018   David Hurst     All  Rights Reserved

When using the Find Detailed Plastic form Shapeways the first thing I do before removing any of the parts is the soak the print in a paint remover / petroleum sprits (white sprits in the UK). This is to remove the wax support residue left from printing, and then a wash in warm soapy water should leave the surface ready for painting after it is fully dried.

©  2018   David Hurst     All  Rights Reserved
I use a grey or white spray primer to prep the model for finishing. In some areas it will be necessary to remove print lines from the surface. These sometimes only show up after the primer is applied and can be removed with a burnishing tool.  I use a hardwood stick with a rounded point to get in the tight spaces. Further light coats of the primer will give a good working surface on which to apply the finishing coats of paint .

©  2018   David Hurst     All  Rights Reserved
At this stage it is time to separate all the detail parts from the main body and footplate of the model. Most of the small parts will snap off the sprues with a genital push or twist, as the base of the sprues are smaller and weaken to allow for this. The main parts however are best cut from each other using a razor saw.

There may be a little more cleaning up to do on these small parts now that they are accessible all-round. Once this is done check that they all fitted into the corresponding holes made for them on the body of the engine. The fiddly ones are the driver’s seat and the brake handle column, for which I used small tweezers to hold the parts while putting them in place.
The chassis was tried in place next. I have allowed a little bit more clearance on this model than some of my previous ones, so the chassis will seem loose. This is because the Fine Detailed plastic is less flexible and would break if put under too much pressure. The use of a small piece of Blu Tack at each end of the chassis footplate will take this tolerance up.

©  2018   David Hurst     All  Rights Reserved
I found it easier to paint the small detailed parts before fitting them to the model. It also made the body and footplate much more accessible to paint in detail. I used Revel 09 charcoal on the chassis and a light blue mix on the bodywork. The cab interior had a thinned wash of a cream mix which included the brake column and driver’s seat. The buffer beams and axle boxes had a wash of bright red over the grey primer so that the grey showed through. I did not want the paint to look new but worn. I added rust streaks down various parts of the body work, from the corners of window and bonnet doors hinges and the radiator brackets. Soot and grime were added using a black and brown thinned wash applied with a dry brush, which helped to pick out areas like the side and front grills. Bare metal and metal components were picked out with a mixture of dark grey and silver (gunmetal). To finish the whole model was given a coat of satin varnish.

©  2018   David Hurst     All  Rights Reserved
The ballast was added to the model wherever I could find space, some each end of the foot plate and some centrally over the chassis. I could have but more in the front of the body behind the radiator but that would make the model imbalanced.

©  2018   David Hurst     All  Rights Reserved
I found it difficult to find a driver for this particular little engine because of the seated and twisted position the figure would need to take. So I found a suitable Dapold line side figure and adjusted its posture to seating with arms out and head turned to the left. As these figures are on the tall side the loss of a bit of height did not seem to look out of place. 

©  2018   David Hurst     All  Rights Reserved

©  2018   David Hurst     All  Rights Reserved

    
If you would like a copy of this model it is available on Shapeways at Model Engine Works:



3 comments:

  1. What do use to represent the setts that surround the track - are they hand scribed?

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    Replies
    1. The setts are a mix of powder filler and PVA glue which is spread evenly around 3mm think and ascribed with a kraft knife.

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  2. I've finally got round to starting on this loco. I've read in lots of places about treatments to use to minimise the layering effect, but ignoring all these I thought I'd try a fibreglass burnishing pen, and I have to say that I'm amazed how well it seems to be working. I haven't got as far as primer yet, but I'm pretty confident.

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